notes on music
°
music is music
the rest is noise
no, is, e
no sé
°
notations
–––––––––––––––––––––––––––––– not –––––––
–––––––––––– not –––––––––––––––––––––––––
––––––––––––––––––––––– no –––––––––––––––
––– no –––––––––––––––––––––––––––––––––––
–––––––––––––––––––––––––––––––––––––– no
°
motif
mot, if
°
le moment
[le mot ment]
°
passage
pas sage
°
string quartet
////\\\\////\\\\
\\\\////\\\\////
////\\\\////\\\\
\\\\////\\\\////
°
d’akkord
jeu de notes 1 Stravinsky
°
no to ton tonto
TONTON [ton ton]
ONTONT [entente]
NTONTO [un tonto]
TONTON [ton ton]
NOTNOT [not not]
OTNOTO [ot noto]
TNOTNO [to not no]
NOTNOT [not not]
°
c dur
c’est dûr
°
irrational durations
du__________ratio
i_________rational
°
FFLLAATT
double flat
°
sinfonia domestica
after Richard Strauss
see sharp
b flat
age minor
°
love,
sis moll

surprise du son
l’écoute est la destruction du silence
john cage
°
–––––––––––––––––––––––––––––––––––––––––
––– ppp
2
pier paolo pasolini
–––––––––––––––––––––––––––––––
–––––––––––––––––––––––––––––––––––––––––
–––––––––––––––––––––––––––––––––––––––––
–––––––––––––––––––––––––––––––––––––––––
°
pensato
[this note is meant to be imagined only]
°
silent
si lent
°
dial-a-poem 3 john giorno
DIAL °
OGUE
°
simphonie
[] [] [] [] [] [] [] [] [] [] [] []
[] [] [] [] [] [] [] [] [] [] [] []
[] [] [] [] [] [] [] [] [] [] [] []
[] [] [] [] [] [] [] [] [] [] [] []
[] [] [] [] [] [] [] [] [] [] [] []
[] [] [] [] [] [] [] [] [] [] [] []
[] [] [] [] [] [] [] [] [] [] [] []
[] [] [] [] [] [] [] [] [] [] [] []
[] [] [] [] [] [] [] [] [] [] [] []
le silence n’existe qu’en tant d’une idée
sonsations
°
ursonate
variations
dusonate
toursonate
mursonate
kursonate
uhrsonate
nursonate
°
haute musique
compeauser
compeausition
compeaunie
°
composolitan
composolitary
compositionary
cosmoposition
compostellation
°
intervalse
°
assemblage
assemblamage
assemblimage
°
PAST MUSIC
4
20th century music
5
21st century music
° 6 das nadelöhr, durch das alle kommende musik hindurch muss
°
this continu
in variation
dear ear
°
das ohrchester
( ) ( ) ( ) ( ) ( ) ( )
( ) ( ) ( ) ( ) ( )
( ) ( ) ( ) ( )
( ) ( ) ( )
( ) ( )
( )
°
titles for pieces
“long piece”
trigger warning
“LONG PIECE”
bigger warning
“l0ng piece”
jigger warning
°
l’imitation
limitation
°
imitations
intimidations
°
utopian piece
ostinato
ost i nato
7
schwedisch, der osten in der nato, or: the east in the nato
°
AVIGNON
[ah,oui!non]
[ah,oui!non]
[ah,oui!non]
[ah,oui!non]
[ah,oui!non]
mais si merci

Cia Rinne
studierte Philosophie in Frankfurt, Athen und Helsinki (MA), lebt in der Nähe von Berlin. Beeinflusst von Dada und Fluxus, erforscht ihre minimalistische Poesie die Materialität von Sprache und semiotische Verschiebungen, die nahtlos in Performances, Ausstellungen, Klanginstallationen und Videoarbeiten sowie in Libretti und Texte für die Bühne übergehen. Zu den wichtigsten Veröffentlichungen gehören zaroum, notes for soloists, l’usage du mot und sentences. Das OEuvre von Cia Rinne wurde mit dem Prix littéraire Bernard Heidsieck-Centre Pompidou 2019 ausgezeichnet.
this movement is determined to impress a certain composer ¶ this movement cannot stand alone ¶ this movement has a coarse voice ¶ this movement has been moved elsewhere ¶ this movement is just following the method provided ¶ this movement appears to contradict the previous one ¶ this movement could be replaced with another one without anyone noticing ¶ this movement would prefer to stay off the record ¶ thinks it is too modern for this composition ¶ this movement pretends to emancipate atonality ¶ this movement refuses to be a footnote to past music ¶ this movement wonders whether it could exist outside this composition ¶ this movement wonders whether it will exist when the music ends ¶ this movement is worried it will never end ¶ this movement wants to end on a positive note ¶ this movement cannot be the last one ¶ ideally, this movement should leave no trace
Essayreihe der Ernst von Siemens Musikstiftung
Cia Rinne, 2023 notes on music
notes on music
°
music is music
the rest is noise
no, is, e
no sé
°
notations
–––––––––––––––––––––––––––––– not –––––––
–––––––––––– not –––––––––––––––––––––––––
––––––––––––––––––––––– no –––––––––––––––
––– no –––––––––––––––––––––––––––––––––––
–––––––––––––––––––––––––––––––––––––– no
°
motif
mot, if
°
le moment
[le mot ment]
°
passage
pas sage
°
string quartet
////\\\\////\\\\
\\\\////\\\\////
////\\\\////\\\\
\\\\////\\\\////
°
d’akkord
jeu de notes 1 Stravinsky
°
no to ton tonto
TONTON [ton ton]
ONTONT [entente]
NTONTO [un tonto]
TONTON [ton ton]
NOTNOT [not not]
OTNOTO [ot noto]
TNOTNO [to not no]
NOTNOT [not not]
°
c dur
c’est dûr
°
irrational durations
du__________ratio
i_________rational
°
FFLLAATT
double flat
°
sinfonia domestica
after Richard Strauss
see sharp
b flat
age minor
°
love,
sis moll

surprise du son
l’écoute est la destruction du silence
john cage
°
–––––––––––––––––––––––––––––––––––––––––
––– ppp
2
pier paolo pasolini
–––––––––––––––––––––––––––––––
–––––––––––––––––––––––––––––––––––––––––
–––––––––––––––––––––––––––––––––––––––––
–––––––––––––––––––––––––––––––––––––––––
°
pensato
[this note is meant to be imagined only]
°
silent
si lent
°
dial-a-poem 3 john giorno
DIAL °
OGUE
°
simphonie
[] [] [] [] [] [] [] [] [] [] [] []
[] [] [] [] [] [] [] [] [] [] [] []
[] [] [] [] [] [] [] [] [] [] [] []
[] [] [] [] [] [] [] [] [] [] [] []
[] [] [] [] [] [] [] [] [] [] [] []
[] [] [] [] [] [] [] [] [] [] [] []
[] [] [] [] [] [] [] [] [] [] [] []
[] [] [] [] [] [] [] [] [] [] [] []
[] [] [] [] [] [] [] [] [] [] [] []
le silence n’existe qu’en tant d’une idée
sonsations
°
ursonate
variations
dusonate
toursonate
mursonate
kursonate
uhrsonate
nursonate
°
haute musique
compeauser
compeausition
compeaunie
°
composolitan
composolitary
compositionary
cosmoposition
compostellation
°
intervalse
°
assemblage
assemblamage
assemblimage
°
PAST MUSIC
4
20th century music
5
21st century music
° 6 das nadelöhr, durch das alle kommende musik hindurch muss
°
this continu
in variation
dear ear
°
das ohrchester
( ) ( ) ( ) ( ) ( ) ( )
( ) ( ) ( ) ( ) ( )
( ) ( ) ( ) ( )
( ) ( ) ( )
( ) ( )
( )
°
titles for pieces
“long piece”
trigger warning
“LONG PIECE”
bigger warning
“l0ng piece”
jigger warning
°
l’imitation
limitation
°
imitations
intimidations
°
utopian piece
ostinato
ost i nato
7
schwedisch, der osten in der nato, or: the east in the nato
°
AVIGNON
[ah,oui!non]
[ah,oui!non]
[ah,oui!non]
[ah,oui!non]
[ah,oui!non]
mais si merci

Cia Rinne
studierte Philosophie in Frankfurt, Athen und Helsinki (MA), lebt in der Nähe von Berlin. Beeinflusst von Dada und Fluxus, erforscht ihre minimalistische Poesie die Materialität von Sprache und semiotische Verschiebungen, die nahtlos in Performances, Ausstellungen, Klanginstallationen und Videoarbeiten sowie in Libretti und Texte für die Bühne übergehen. Zu den wichtigsten Veröffentlichungen gehören zaroum, notes for soloists, l’usage du mot und sentences. Das OEuvre von Cia Rinne wurde mit dem Prix littéraire Bernard Heidsieck-Centre Pompidou 2019 ausgezeichnet.